This is a slow read, but I wouldn't describe it as gentle. There is no shying away from the realities of life in the early 18th century, particularly when it comes to the treatment of children and women. The description says it's perfect for fans of 'The Miniaturist' and I agree completely. It has that same sense of a story flowing through the underbelly of life in a bustling city. The other comparison I drew was to Eleanor Herman's excellent book 'Mistress of The Vatican' about Olimpia Maidalchini, a century before Anna. Whilst the women's characters were, in many ways, vastly different, they each possessed a vision of how they wanted their lives to be and the tenacity (and sometimes ruthlessness) of spirit, to ensure their vision was fulfilled. There are multiple reasons why Anna is determined to become part of the figlie and nothing is allowed to stand in the way of that dream, no matter what the personal cost to her, or those around her.
When I'm reading for review, I like to think about the perfect place to read the book, if I was reading it purely for pleasure and this is one to read in the garden over a glass or two of Italian wine. It has that leisurely feel to it; the story will progress at its own pace and will give you time to enjoy the view as it winds its way through the canals and alleys of Venice. It effortlessly immerses you in the world between its covers as you follow Anna-Marie's journey from abandoned baby to premier musician.
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